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Architectural jewelry” is how Eric Feigenbaum, who owns retail design company Embrace Design, describes decorative lighting.

And naturally enough, when it comes to chandeliers or other lighting focal points, jewelry stores are often outfitted with fixtures that call to mind pieces of fine jewelry and gemstones. It’s all about setting a mood.

In a column for VMSD Magazine in December, Feigenbaum writes that much like music elicits an emotional response, lighting communicates a distinct feeling to shoppers and is one of the unsung heroes in any successful retail environment. Purposely designed lighting schemes create drama and experiences that will move customers’ emotions and mood. “While the physical store is a tool of communication,” he writes, “the vernacular of lighting is the paint that colors retail theater.”

When it comes to decorative lighting, creativity has free rein.

Interior designer Leslie McGwire, for example, throws most rules out the window when it comes to choosing the style of chandelier that packs a visual punch. She might suggest a traditional crystal chandelier in a modern space or a contemporary piece in a traditional store. But the rules she does follow are important: The fixture should balance the scale and proportion of the room, the minimum clearance should be at least 7 feet above your guests’ heads, and when in doubt, go bigger and bolder rather than smaller and subtler. You’re looking to make a statement.

Here are some examples of bold choices in lighting design.

The Dramatic

At BC Clark in Oklahoma City, owned by Coleman, Jim and Mitchell Clark, a 16-foot custom chandelier, which flows from ceiling into two-story atrium, is an eye-catching focal point. In a separate installation, pendant lighting intermingles with the draping-chains design element around the bridal bar. The store was designed by architect Todd Edmonds, principal, HSE Architects.

The Dramatic

At BC Clark in Oklahoma City, owned by Coleman, Jim and Mitchell Clark, a 16-foot custom chandelier, which flows from ceiling into two-story atrium, is an eye-catching focal point. In a separate installation, pendant lighting intermingles with the draping-chains design element around the bridal bar. The store was designed by architect Todd Edmonds, principal, HSE Architects.

The Chameleon

A diamond-inspired Tom Dixon light installation, featured at Milan Design Week, is the centerpiece of the showroom at Joseph Jewelry in Seattle, owned by Joseph and Danny Boukhalil. An app controls the color of the luminous kaleidoscope.

The Elegant

Artful flourishes like starburst chandeliers and gold toe kicks on showcases add to the overall refinement of Kelley Jewelers in Weatherford, OK, without ever seeming ornate. Interior designer Leslie McGwire collaborated with store owner Kim Ingram on the project.

The Namesake

Craig Husar, owner of Craig Husar in Brookfield, WI, collaborated with Swarovski to create “The Star of Husar,” which, he says, is the largest star-shaped chandelier in the Midwest. Its sister star sits atop the Rockefeller Plaza Christmas tree in New York City. The Husar Star features 2,816 individually cut Swarovski crystals suspended from 480 stainless steel wires, and hovers 35 feet above the EngageBar.

The Sculptural

Lucian Lee owns Hale’s Jewelers of Greenville, SC, where the stunner of a sculptural pendant light, which suggests a collection of ornate cuff bracelets, was designed and manufactured by The Heirloom Companies. The store was designed by DP3 of Greenville.

The Celestial

At Hyde Park Jewelers in Scottsdale, AZ, owned by Damon Gross, geometric chandeliers designed by architect RDH Interests are meant to evoke stylized diamonds in the sky. LED fixtures are used throughout the store for maximum brightness and energy savings.

The European Adventure

Dramatic chandeliers at Anna Zuckerman Luxury in Boca Raton, FL, evoke French charm while adding maximum sparkle. Other European accents are visible in the store’s sconces and its French wallpaper adorned with flecks of 24K gold. The store was designed and built by Albanese Development and be Design.

The Big Surprise

Blue Diamond in Old San Juan, Puerto Rico, owned by Vijay Khemlani, boasts a 13-foot chandelier tucked away in a VIP room. The store was designed by architects Juan M. Aguilo and Victor Vega Ortiz.

The Brilliant Idea

A three-ring sculptural fixture adds drama to Diamond Center Jewelers in Fort Smith, AR, owned by Jim Cash III and Kayla Cash. All of the showroom lighting employs 6k lumens to bring out the brilliance of diamonds and gems against the store’s dark background for theatrical effect. Jim Cash worked with Lighting4Diamonds and Mark Loibner on the store’s design and lighting.

The Curve

At the Diamond Family in St. Louis, MO, owned by Michael Haddad and Alex Haddad, chandeliers laden with crystals enhance a curved soffit and a hand-painted ceiling. The curves above mirror the rounded showcases, which invite guests to walk around freely and explore.

10 Ways Retail Jewelers Go Bold with Decorative Lighting

10 Ways Retail Jewelers Go Bold with Decorative Lighting

Architectural jewelry” is how Eric Feigenbaum, who owns retail design company Embrace Design, describes decorative lighting.

And naturally enough, when it comes to chandeliers or other lighting focal points, jewelry stores are often outfitted with fixtures that call to mind pieces of fine jewelry and gemstones. It’s all about setting a mood.

In a column for VMSD Magazine in December, Feigenbaum writes that much like music elicits an emotional response, lighting communicates a distinct feeling to shoppers and is one of the unsung heroes in any successful retail environment. Purposely designed lighting schemes create drama and experiences that will move customers’ emotions and mood. “While the physical store is a tool of communication,” he writes, “the vernacular of lighting is the paint that colors retail theater.”

When it comes to decorative lighting, creativity has free rein.

Interior designer Leslie McGwire, for example, throws most rules out the window when it comes to choosing the style of chandelier that packs a visual punch. She might suggest a traditional crystal chandelier in a modern space or a contemporary piece in a traditional store. But the rules she does follow are important: The fixture should balance the scale and proportion of the room, the minimum clearance should be at least 7 feet above your guests’ heads, and when in doubt, go bigger and bolder rather than smaller and subtler. You’re looking to make a statement.

Here are some examples of bold choices in lighting design.